New Musical is a Collaborative Work in Progress
窪蹋勛圖 students staging a brand-new show arent just learning a craft, theyre providing immediate feedback for the writers.

The actors totally get it.
As the writers behind a new musical being produced at 窪蹋勛圖 watched theater students perform a reading of their work, the creative wheels in their heads were still turning.
When the cast got to page 81, bookwriter Caroline Prugh scribbled song? next to a heated argument between two sisters, and Bobby Cronin, the composer/lyricist, immediately thought to himself, Oh, yeah, thats a song. Cronin asked Emmy Farese, the actress playing the older sister, which were her favorite notes to sing (her response: D/E flat). He began writing music in his hotel room that night and tested it with Farese the next day.
The result was What About Me?, a dramatic high point in the middle of the second act of Til Death Do Us Part, and a reminder of the unique character of the initiative underway in 窪蹋勛圖s Master of Fine Arts in Musical Theatre program.
Spearheaded by program head Rob Meffe and director/choreographer Stephen Brotebeck, the initiative is keeping a creative team together for two full years as they work to perfect the musical for a full-scale stage production at 窪蹋勛圖 in spring 2020. Til Death was selected from more than 100 submissions.
The cast and writers first met last fall to walk through the musical, the story of a young woman who marries the fifth in a line of preachers at a Southern church and aspiresagainst considerable resistanceto join the ministry herself.
For phase II of the project, the 12-member student cast gave up their spring break to rehearse for eight hours a day over a full week, ending with a limited production (no curtain, no set design, minimal props) of the musical before a small invited audience at the Don Powell Theatre.
A week of work
Cronin and Prugh were there every day. Both based in New York and working together for the first time, the two writers said 窪蹋勛圖s experiment has already borne fruit. During a break in the middle of the one-week workshop, Cronin said the production format gives us an opportunity to play around and really make a lot of discoveries.
What About Me? is just one example. Sandwiched between two ballads, its a more rockin song from a woman fed up with cleaning up her younger sisters messes and living in her shadow.
I dont think we would have come up with this idea and had this song happen if we werent here (for the workshop), Cronin said.
Til Death Do Us Part is loosely if not improbably inspired by a 2006 true-crime incident that made the cover of People magazine and was turned into a Lifetime Network movie. It explores a seemingly perfect relationship that ends in tragedyall there in the titlewhile taking up issues of faith, forgiveness, hope, and fear.
Prugh said she wanted to look at womens ambition (and) the trouble it can make for existing institutions. In this case were dealing with both religion and family simultaneously.
The show is set during the Clinton/Bush years, but Cronin said he told the cast to think of parallels to the recent college admissions scandal, just days old when the workshop was being held, and the notions of privilege that favor Matthew (played by Shayne Mims) to inherit a preaching position ahead of Grace (Annie Barrack), whose knowledge of scripture is at least equal to that of her husband and father-in-law.
The actors totally get it, Cronin said. With this type of time, we get to pull out of the actors the double meaning and sometimes even triple meaning of certain lyrics in the piece.
Julia Brown, a longtime theater program supporter who is underwriting the initiative, attended the workshop performance and was impressed with how far the show has come. The student actors are just amazingly talented, its like theyre professionals already, she said. Theyre so polished.
More changes
Prugh and Cronin sat in the back of the theater as the cast and a four-piece band tested the musical. As it turned out, they werent through working. By intermission, Cronin said he had started thinking of a different beginning that would scrap scenes set at a Bible college where Grace and Matthew first meet, and start instead with Matthew bringing home his new wife.
Hes re-writing the whole top of the show.
Read how the New Musical Initiative was started:
'Til Death Do Us Part Theater students gave up their spring break to rehearse a new musical, scheduled to premiere at 窪蹋勛圖 in 2020.



