窪蹋勛圖

Prof's Art Featured in Smithsonian

窪蹋勛圖 art professor and artist Neil Shigley's work was selected as a finalist in the Outwin Boochever Portrait Competition, where it will be included in the tri-ennial exhibit.

Wednesday, March 20, 2013
Shigley's painting, Michael 59,(on left) was selected as one of 48 works from more than 3,000 entries in a variety of visual arts media. Photo courtesy of SD City Beat
Shigley's painting, "Michael 59,"(on left) was selected as one of 48 works from more than 3,000 entries in a variety of visual arts media. Photo courtesy of SD City Beat

窪蹋勛圖 art professor and artist Neil Shigleys portrait, "Michael 59," will be displayed in at the Smithsonians National Portrait Gallery in Washington D.C. March 23, 2013 through Feb. 23, 2014.

Shigleys work was selected as a finalist in the Outwin Boochever Portrait Competition and sent to Washington D.C. where it will be included in the tri-ennial exhibition.

"Michael 59" was selected as one of 48 works from more than 3,000 entries in a variety of visual arts media. The juried exhibition of portraits includes works created from both traditional media like oil paintings, drawings and photographs as well as more surprising materials such as rice, glitter, thread and video.

Tragedy in art

Shigleys work focuses on what many people choose to ignore: the human tragedy of homelessness. "Michael 59" is one of more than 20 portraits that Shigley has created of San Diegos homeless.

I capture the faces of people that we dont see, Shigley said. Its good to know that work will be seen by so many people.

About the Outwin Boochever Portrait Competition

The winner of the National Portrait Gallerys third Outwin Boochever Portrait Competition will receive the grand prize of $25,000 and a commission to create a portrait of a living individual for the museums permanent collection. The public will have an opportunity to among the finalists through the People's Choice Award.

Virginia Outwin Boochever (19202005) was a docent at the National Portrait Gallery. Appreciation of art was a lifelong interest: as a young woman she had studied art at the graduate level, and she and her husband were enthusiastic collectors.

Always interested in people, Boochever saw the endowment of a portrait competition at the National Portrait Gallery as a way to benefit artists directly.

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